DeSacre!
Die Performance ist in deutscher Sprache mit englischen Übertiteln.
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Kirche
Culture
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in englischer SpracheDie Performance greift die Kunstaktion von Pussy Riot in der Moskauer Christ-Erlöser-Kirche auf und zeigt anhand der skandalumwitterten Choreografie zu Strawinskys „Le Sacre du Printemps“ von 1913, wie Kunstwerke zur richtigen Zeit am richtigen Ort den wunden Punkt einer Gesellschaft treffen.
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BA Mag. Alexander DEUTINGER
Performance Artist and Choreographer, Graz
| MA in Translation and Interpreting, Karl-Franzens-University Graz, Institute for Theoretical and Applied Translation Studies, Graz | |
| BA in Contemporary Dance, Anton-Bruckner-University Linz, Institute for Dance Arts, Linz | |
| since 2007 | Working internationally, freelance contemporary dancer, performer and choreographer |
| since 2008 | Artistic Co-Director, Navaridas & Deutinger |
| since 2009 | Founding Member, The Loose Collective |
Dr. Christine GAIGG
Choreographer, Director, Performer, 2nd nature, Vienna
| Christine Gaigg studied philosophy in Vienna and choreography in Amsterdam. After many years of collaborating with composers of new music (e.g. with Bernhard Lang on difference and repetition in the Trike series 2004-2012; Maschinenhalle#1 opened the festival steirischer herbst 2010) she is now focussing on "peformance essays". She uses the genre to present socio-political issues in various formats to allow tension between physical emotional and reflective analytical moments to emerge. Besides DeSacre! Pussy Riot meets Vaclav Nijinsky (2013) these include Maybe the way you made love twenty years ago is the answer? (2014 and 2018), untitled (look, look, come closer) (2015) about viral images of war, CLASH (2016) about homophobia as outsourcing of self-hatred, and Meet (2018), an experimental format of intimate encounters. As director she staged Elfriede Jelinek’s "Über Tiere" at Theater am Neumarkt Zürich and Xaver Bayer’s "Wenn die Kinder Steine ins Wasser werfen" at Schauspielhaus Wien. |
Philipp HARNONCOURT
Stage Design, 2nd nature, Vienna
Erich KLEIN
Publicist and Translator, Vienna
| Erich Klein, geb. 1961 in Altenburg/N.Ö., freier Publizist und Übersetzer, lebt in Wien. Regelmäßige Beiträge in den Ö1-Sendungen "Ex libris", "Kontext" und "Diagonal", sowie in "Falter" und "Die Furche". Kurator u.a. von "Literatur im März" und "Literatur im Herbst" (Kunstverein Wien, Alte Schmiede 2005-2015); "die sechziger jahre", "die siebziger jahre" (MUSA 2011, 2013). |
BA Mag. Marta NAVARIDAS
Performance Artist and Choreographer, Graz
| MA in Translation, Universitat Pompeu Fabra Barcelona | |
| BA in Choreography at ArtEZ Arnhem and Mime, HKA Theaterschool of Amsterdam | |
| since 2007 | Working internationally as a freelance contemporary dancer, performer and choreographer |
| since 2008 | Artistic Co-Director of Navaridas & Deutinger (AT/ES) |
| since 2009 | Founding member of the The Loose Collective (AT/ES/NL/ PL/SE) |
Petr OCHVAT
Performer, 2nd nature, Ostrava
| Has been making himself busy with movement research and choreography since 2011. Currently studies The Feldenkrais Method at the Feldenkrais Institut Wien. The search for the location of the "I" and the "space within space" through choreography is a topic traceable across both his last works Questions for dance 4 and Questions for dance 5 performed in many cities across Slovakia since 2018. Since the year 2006 he has been performing predominantly in Austria as well as in other countries with companies such as Georg Blaschke/M.A.P Vienna, Christine Gaigg/ 2nd Nature, Milan Kozánek/Artyci. In 2013 he co-founded Maggie Palms with Costas Kekis and Anna Prokopová. Their piece "It beats soft in the veins" has been nominated for The Prix Jardin d´Europe 2017. |
Mag.a Anna PROKOPOVA
Performer, 2nd nature, Vienna
| Anna Prokopová born in the former Czechoslovakia, lives in Vienna. She studied philosophy, Czech literature and contemporary dance, she has worked as a choreographer and performer, and she teaches dance. Prokopová has received a scholarship from the Start Stipend of the Austrian Federal Chancellor’s Office, and she was awarded a danceWEB scholarship in 2012. Her artistic work focuses on the transformative potential of sound and text and on interactions with an imaginary anatomy of the body. In Austria, she has previously worked alongside Liz King and Christine Gaigg / 2nd nature. Her latest work includes "Corpse of a dance piece" as part of imagetanz (brut 2015), "It beats soft in the veins" (WUK performing arts 2017), also presented at 8:tension, ImPulsTanz and Knuckles become clouds, presented in the frame of Rakete 2018, Tanzquartier Wien, and as a part of Double bill in Tanzquartier Wien 2019. |
Mag. Iris RAFFETSEDER
Rehearsal Director, 2nd nature, Vienna
Eva-Maria SCHALLER
Performer, 2nd nature, Vienna
| Eva-Maria Schaller studied classical Ballet at the Academy of the Vienna State Opera and Contemporary Dance at Codarts Rotterdam (NL). During and after her studies she worked with choroegraphers such as Emio Greco, Itzik Galili, Megumi Nakamura, Stephen Shropshire, Edan Gorlicki and Anouk van Dijk, performing in Europe, USA and Asia. In Vienna she collaborated regularly with Christine Gaigg at Impuls Tanz, steirischer herbst, Wien Modern, Schauspielhaus Wien, Tanzquartier Wien; and continuosly collaborates with Sabine Glenz (Munich Philharmonic, Gasteig, Tanzwerkstatt Europa). Since 2016 she teaches Countertechnique across Europe. She develops her own choreographic work in the frame of residencys in Athens, Rotterdam Dancsateliers and D.ID Dance Identity; the pieces What we hold inside, Vestris 4.0, Die Unbekannte - eine choreografische Annäherung an Hanna Berger (latter collaborations with composer Matthias Kranebitter) have been performed at various festivals such as Performance Days Salzburg, Burgenländische Tanztage, Festival Fronta (SLO), Imagetanz brut Wien and in the frame of Alles tanzt. Kosmos Wiener Tanzmoderne, Theatermuseum Wien. |
