Digitalisierung: Ende des Kapitalismus oder vollkommener Markt?
-
Elisabeth-Herz-Kremenak-Saal
Plenary
/
in englischer SpracheVollkommene Information und keine Reaktionsverzögerung – ermöglicht Digitalisierung den vollkommenen Markt? Oder verliert der Preismechanismus seine Bedeutung und schafft damit Raum für neue Wirtschaftsstrukturen? Wie wirken sich diese Veränderungen in der Wirtschaft auf die Finanzmärkte aus?
| |||||
| |||||
| |||||
|
Downloads
Paul MASON
Guardian Columnist; Filmmaker; Author "Postcapitalism", London
| 1981 | Graduation in Music and Politics, University of Sheffield |
| 1981-1984 | Second Viennese School, University of Sheffield |
| 1982-1988 | Music Teacher and Lecturer in Music, Loughborough University, Leicester |
| 1991-1995 | Freelance Journalist, London |
| 1995-2001 | Deputy Editor, Computer Weekly, Reed Business Information, London |
| 2001-2013 | Business Editor, Newsnight, BBC Two, London |
| 2013-2014 | Culture and Digital Editor, Channel 4 News, London |
| since 2014 | Economics Editor, Channel 4 News, London |
Andreas R. KIRCHSCHLÄGER
Chief Executive Officer, elea Foundation for Ethics in Globalization, Zurich and President, Max Schmidheiny Foundation, St. Gallen
| 1996 | Master's Degree, Law and Economics, University of St. Gallen |
| 1997-2008 | President and Managing Director, St. Gallen Foundation for International Studies and Host of the International Management Symposium St. Gallen |
| since 1999 | President, Max Schmidheiny Foundation, St. Gallen |
| since 2002 | Visiting Lecturer, University of St. Gallen |
| since 2008 | Chief Executive Officer, elea Foundation for Ethics in Globalization, Zurich |
Gerald NESTLER
Artist and Researcher, Vienna
| Nestler G. graduated from the Academy of fine arts Vienna (1992) and subsequently conducted artistic research as a broker and trader (1994-1997). He has been lecturing at universities and is a practice-based Ph.D. candidate at the Centre for Research Architecture, Goldsmith, University of London. | |
| Recent artistic and curatorial projects include: | |
| The Trend Is Your Friend! (with Sylvia Eckermann, steirischer herbst 09, MedienKunstLabor, Kunsthaus Graz); Breathe My Air. A paradoxical conversation piece (with Sylvia Eckermann, Beijing, Hangzhou, Shenzhen, Chengdu, Vienna); Superglue. artistic research on scientific research (with Gerald Straub, Academy of Sciences, Vienna Art Week 11); On Purpose. The New Derivative Order (kunstraum Bernsteiner, Vienna, 2012), Glitch (Kunstraum Innsbruck, 2013); Les Rencontres Internationales, nouveau cinema et art contemporain (Gaité Lyrique, Paris, 2014, and Haus der Kulturen der Welt Berlin, 2015); FORENSIS (Haus der Kulturen der Welt, Berlin, 2014); HEDGE AVANTGARDE. renegades, traitors, educators. Inquiries into an aesthetcis of resolution (Kunstraum Bernsteiner, 2015); SOCIAL GLITCH. radical aesthetics and the consequences of extreme events (kunstraum NIEDEROESTERREICH and other venues in Vienna, 2015); THE PROMISE OF TOTAL AUTOMATION (Kunsthalle Wien, 2016). |
Mag. Agnes STREISSLER-FÜHRER
Deputy General Secretary, Union of Private Sector Employees, Vienna
| 1986-1991 | Degree in History, University of Vienna |
| 1988-1993 | Degree in Economics, University of Vienna |
| 1993-2006 | Researcher, Department for Economics, Austrian Chamber of Labour, Vienna |
| 2006-2008 | Head, Department for Economic Policy, Austrian Chamber of Labour, Vienna |
| 2008 | Managing Director, ZIT- Centre for Innovation and Technology, Vienna |
| 2009-2017 | Founder and Director, Consultancy Agnes Streissler - Wirtschaftspolitische Projektberatung, Vienna |
| 2017-2018 | Member of Federal Executive Board, Union of Private Sector Employees, Vienna |
| since 2018 | Deputy General Secretary, Union of Private Sector Employess, Vienna |
Update Required
To play the media you will need to either update your browser to a recent version or update your Flash plugin.
