24: Die ganze Welt ist Bühne
Dieses Seminar wird mehrmals parallel angeboten. Kuratiert mit RADA - The Royal Academy of Dramatic Art, London
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Hauptschule
Seminar
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in englischer SpracheSchauspielerInnen müssen ehrlich, mutig, verspielt und streng sein. Sie müssen in der Lage sein, anderen zuzuhören. Sie müssen wissen, wann Kompromisse einzugehen sind und wann sie standhaft bleiben müssen. Sie müssen sich in die Person, die sie spielen, einfühlen, egal wie bösartig diese ist. Sie müssen als Ensemble arbeiten und sich und der Arbeit gegenüber tolerant und respektvoll sein. In praxisnahen Workshops werden Studierende der Royal Academy of Dramatic Art in London Übungen und Spiele vermitteln, die sie auf der Bühne und im Leben als besonders nützlich empfinden.
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Nona SHEPPHARD
Playwright; Associate Director, Royal Academy of Dramatic Art, London
| Nona Shepphard is a freelance writer, director and deviser with over 150 productions and 40 commissioned plays to her credit. Her plays for a young audience recieved several awards and have been presented in the USA, Canada, Europe and Russia. Among her most recent writings are: "Signs of a Star-Shaped Diva" for GraeaeTheatre Company/Theatre Royal Stratford and Therese Raquin a musical version of Emile Zola's novel. She is the Associate Director of the Royal Academy of Dramatic Art (RADA) and Creative Director of RADA Enterprises. |
Rachel BARNWELL
Student, Royal Academy of Dramatic Art, London
| Rachel Barnwell is a London based actor from Chesham in Buckinghamshire. She was a member of the National Youth Theatre of Great Britain and now is training at the Royal Academy of Dramatic Art in London, where she will graduate in July 2020. Before going to drama school she performed with London based repertory theatre company Fourth Monkey where her theatre credits included: As you like it, A Midsummer Night’s Dream at the Trinity Buoy Wharf studios in London and Rapunzel and Hansel & Gretel performed at the Edinburgh Fringe in 2015. She also performed Theresa Rebeck’s Seminar at Camden’s Etcetera Theatre, London with Greenwood Theatre Company. Her credits whilst training at Rada include: King Lear (Shakespeare), The Oresteia (Aeschylus), The Provoked Wife (John Vanbrugh) and As you like it (Shakespeare). |
Scott GUTTERIDGE
Student, Royal Academy of Dramatic Art, London
| Scott Gutteridge began acting when he was 16 years old, joining Llanelli Youth Theatre (LYT) in South Wales. Some of his theatre credits with LYT, National Theatre of Wales and National Theatre Connections include ZEUS (Homer’s ‘Iliad’), Alex DeLarge (A Clockwork Orange), Rev. John Hale (The Crucible), Lysander/Puck (A Midsummer Night’s Dream), King Henry (Henry V), Scott (Tomorrow I’ll Be Happy), Dieter Ackerman (The Edelweiss Pirates), Tubbsy (Heritage), Carl (Buggerall) and Sonny (Grease). Having studied for 2 years at RADA, Scott has also played King Lear (King Lear) and Orlando (As You Like It) as part of the course. He now embarks on his 3rd and final year before graduating. |
Isobel JESPER JONES
Student, Royal Academy of Dramatic Art, London
| Isobel Jesper Jones a third year acting student at the Royal Academy of Dramatic Arts. Her theatre credits include: Love Plus (Burton Taylor '14), Romeo and Juliet (Michael Piltch Studio '14), The History Boys (Oxford Playhouse '14), Orlando (Keble O'reilly '14), King Lear (Keble O'reilly '15), Plenty (Keble O'reilly '15), Punk Rock (Simpkins Lee '15), Creditors (Burton Taylor '15), Singin’ in the Rain (Oxford Playhouse ’15), Breathing Corpses (Keble O’reilly ‘15), The Changing of the Guard (Keble O’reilly ‘16), Around the World in 80 Days (OUDS National Tour ‘15), Ghosts (Burton Taylor ‘16), ircleville, Circlevalley (OUDS National Tour ‘16), The Disintegration Loops (North Wall ‘16) and Madonna and Child (North Wall ‘17). In 2016 Isobel graduated from Oxford University with a BA (Hons) degree in English Literature and Language. |
